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Blackjack Pennsylvania

by Gregory Rawlins

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1.
2.
You're gonna need someone need 'em bad when the good book say, "keep 'em at bay" it's all you craze. You're gonna want somebody want 'em bad when the county claim "stay the same" but it's a heady change. You're gonna want somebody Looking out for howling, bringing a sound to the air-- sweet temptation lay there. You wanna tow the line yeah, you want to brave it too said need it bad, nah put it down, nah shoot it through I wanna shoot it through Looking out for howling, bring a sound to the air-- sweet temptation lay there.
3.
I was hikin' the hills of home, real poor and boilin' over when I thought I spied somethin' in the midst of mushroom huntin' there appeared a hidden hollow, and I got a dream to follow. You could hear that idea hatch: perfect place to cook a batch. C'mon boys follow me, we're gonna build a new machine. All in all all you need Sudafed and batteries. All at once I felt much better, returned to the Supercenter penciled in a big vacation: freshly tendered resignation. Helped myself to a severance package, pallet of propane, white-tipped matches. Lashed the bathtub to the donkey, took a swig and fed my kitty. C'mon boys follow me, we're gonna build a new machine. All in all all you need Sudafed and batteries. Friends are just a dime a dozen that's why I got three blood cousins- one with a chemistry degree and two who just left the clink. We set out and we got to, finished 'fore the night was through. Chef served me up with a two-day taste... hoo! C'mon boys follow me, we're gonna build a new machine. All in all all you need Sudafed and batteries. Upon further investigation, I gaze upon my new creation- consistency was much too chalky- ain't fit for the street market! Did what any man would do, called a meetin' of my crew- declared in a fit of haste, "None of this shall go to waste!" C'mon boys follow me, we're gonna build a new machine. All in all all you need Sudafed and batteries. Sun went up and the sun went down- god, what is that buzzin' sound? Everyone was evil speakin'- all the while was somethin' leakin'. We stood by just gnashin' teeth, insatiable as ancient demons 'til I took that fatal toke, and the lab went up like a holy beacon. C'mon boys follow me, we're gonna build a new machine. All in all all you need Sudafed and batteries, and some other things too.
4.
Leaving Town 03:09
ooh how the fields get to growing slow-- stunted like something's wrong. And the hills are a guilty, lying youth, and the catholic bells are crisp as hell Now that I'm leaving town, now that I'm leaving town. Stumbling boys in the alleyway are singing the song of the home team. The windows are blue and the puddles are green, and the stoplights move like many moons. Now that I'm leaving town, now that I'm leaving town. The sundown's a ditty and the valley's a farce and the web-spinning stitchers warn of wicked storms. A mountain pass looms like a magazine queen and the future's littered in real fine print. Now that I'm leaving town, now that I'm leaving town. Now that I'm leaving town, now that I'm leaving town.
5.
Close the book tonight I really wanna tuck you in real tight. Tell me if you find cover. Got you in the flesh o yes but are you awake now? Daddy don't want grey chrome yellow for my gal. Took you where the stars were shining heaviest on a new moon but I shuddered when you set to moaning a little too removed. Got you in the flesh o yes but are you awake now? Daddy don't want grey chrome yellow for my gal. So you got them ups and downers formally applied-- well they conquer all that ails you and compromise your ancient mind. Got you in the flesh o yes but are you awake now? Daddy don't want grey chrome yellow for my gal. Got you in the flesh o yes but are you awake now? Daddy don't want grey chrome yellow for my gal.
6.
Echolalia 05:41
Like a lone mammal AWOL happened on a new, glassy pond stared into his own eyes everything shot on sight shot on sight. Blackened mirror, can it be automatic shudder speed? Stared into its own eye everything shot on sight shot on sight. And it's all digital. Analog to digital. Preconceived voyeur make the echolalia. Stare into my own eyes-- everything shot on sight shot on sight. And it's all digital. Analog to digital.
7.
La Fama 01:50
8.
I lease and leave you honey always like I do got more loving here than grizzly got to chew we're moving it now. Go get 'em cult man, burning down the list wash your soul in the spit of every kiss. we're moving it now. breaking stride cut that knife breaking stride fools in line. Gasoline, heartbeat inner things inner things. Whole grain, a full vein inner things inner things.
9.
Me n my gal Ida Ray went downtown to a diner waitress come, say good morn, set the menu down beside her and she took, took her time through the lines of appetizers and it dawned, dawned on me she moves just like a brontosaur. Well she cut, cut me deep like the spine of a stegosaur but good lord, behind closed doors hear her roar like tyrannosaur. And she swing, swing both ways, she don't behave, she's an omnivore. Here I'll stay with Ida Ray, she's my present-day dinosaur. Well we moved, move along to the jamboree and the promenade me n my gal Ida Ray, sweet as street corner lemonade then she grabbed, grabbed my hand, twirled my round and round the dance hall with a tail, big and quick, knocked me out like an ankylo. Well she cut, cut me deep like the spine of a stegosaur but good lord, behind closed doors hear her roar like tyrannosaur. And she swing, swing both ways, she don't behave, she's an omnivore. Here I'll stay with Ida Ray, she's my present-day dinosaur. Then she leaned, leaned to me, said I believe we're compatible and we beat like the wings of a Pterodactyl. I said babe, that's a good point, like the points of a tricerataur. She said, goddamn you're really smart I said I know, and you're a dinosaur.Well she cut, cut me deep like the spine of a stegosaur but good lord, behind closed doors hear her roar like tyrannosaur. And she swing, swing both ways, she don't behave, she's an omnivore. Here I'll stay with Ida Ray, she's my present-day dinosaur. She said, where you learn to talk like this? Tell me now, you must confess. I looked into her eyes and said, m'am, I'm a dynocologist.
10.
Lo and behold herein lies the joke-- what pleasure dome grows on a page but the stage? But the stage. I'm keen-eyed, look just like a duke and in the round, bound to swoon-- so soon had to. Then came a role across alright defined evening's showtime aligned miles away. Save me one chord your own take on hard lore hard lore hard lore hard lore.
11.
Hold, take hold round about the merry-go crosstown vacant field lover crosstown vacant field lover tubes, watering holes wanna take you home but no can do crosstown vacant field lover crosstown vacant field lover no charge, no cost we all get on and we all get off crosstown vacant field lover crosstown vacant field lover my pa, he paved the way and all I heard is all I say crosstown vacant field lover crosstown vacant field lover and on these grounds I play and I'm going there but not today crosstown vacant field lover crosstown vacant field lover
12.
Old friend, don't you wake me, for I'm seeing compilations of the day in the most peculiar way. Sunshine under water with a bend- though quite limber she will claim, I alone will watch her break. Hold me down and run me through pile it on Spare me nothing all the damn time. Headlong, past a new shimmering line like reflections in a wake to a town without a name. Solo will expose another league where the diver has the helm not the slightest overwhelmed. Hold me down and run me through pile it on Spare me nothing all the damn time. Hey hun-- when you go you're never gone-- quite the opposite goes on and I feel the final straw sailing to an island that you hold but I'll take this one in stride keep it all aboard and capsize. Hold me down and run me through pile it on Spare me nothing all the damn time.
13.
Torn 'tween the UP and BNSF Venice Beach left him with one pair of pants. Back in the valley to study cartoons saw him inspecting the second-hand shoes. Wind-whipped and roughnecked and black bandanned stubborn and ready like a rebel flag. I listened close to all that he had said, fixed on a peeper all purple and red. "Pummeled by a whiskey-bent crusty was I and left in the shadow of the rail yard to die when all of a sudden I thought it divine to make me some change and call a good time. My lady drove 1200 miles and what was Las Vegas is what we will hide down in the Jameson bottle just cracked enough to give us what we happened to lack. And morning smelled sweeter than ever before, and I realized room service was outside the door. I ate 'til I couldn't and she slipped them a ten. Yes, friends, we're moving in." Now folks, here's the kicker-- the Summer before, she had his belongings on the front lawn. The police stood by and beheld the display and truth told, she shoulda been hauled away. But Springtime is ringing rekindling air where the discarded turns into subsidized fare-- we sift and we rummage the bins for clues 'cause nothing is used when it's new to you.

about

Recorded by Mike Coykendall (Portland, OR) & Travis Ward (Boise, ID) 2018-19
Mixed by Travis Ward.
Mastered by Brad Kaminski.
Cover design by Christopher Jennings.
Cover photo by Gregory Kyle Rawlins circa 1984.

www.junkerdashrecords.com
www.mikecoykendall.com
www.vertigo-studios.com

credits

released January 17, 2020

Gregory Rawlins: words, voice, guitar, harmonica, ukulele, banjo, hedge clippers, synth
Travis Ward: guitar (2,8), drums (2,8), synth (6), jaw harp (3)
Alison Ward: voice (2), musical saw (1,11)
Michael P. Waite: upright bass (2,8)
Elizabeth Venable: voice (3,4), drums (6)
Mike Surber: voice (3,6,11,13), guitar (5)
Curt Krause: voice (3, 6, 11), piano (13)
Mike Coykendall: electric guitar (4)

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about

Gregory Rawlins La Grande, Oregon

Born in Bremerton, Washington.

**************

Member of Sons of Guns (Seattle,/La Grande) Catskills
(La Grande)
and Foxgloves (Oregon)

**************
I love bonfires, books, the wild, fireworks, song & snorkeling in the Hood Canal in August.
... more

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